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| Untitled #92 | Untitled #91 | Untitled #90 | ||
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| Untitled #89 | Untitled #88 | Untitled #87 | ||
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| Untitled #86 | Untitled #85 | Untitled #84 | ||
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| Untitled #83 | Untitled #79 | Untitled #77 | ||
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| Untitled #59 | ||||
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| Untitled #81 | Untitled #80 | Untitled #78 | ||
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| Untitled #76 | Untitled #75 | Untitled #74 | ||
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| Untitled #72 | Untitled #71 | Untitled #70 | ||
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| Untitled #69 | Untitled #68 | Untitled #67 | ||
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| Untitled #66 | Untitled #65 | Untitled #64 | ||
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| Untitled #63 | Untitled #62 | Untitled #61 | ||
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| Untitled #60 | ||||
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| Untitled #58 | Untitled #57 | Untitled #56 | ||
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| Untitled #55 | Untitled #54 | Untitled #53 | ||
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| Untitled #52 | Untitled #51 | Untitled #50 | ||
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| Untitled #49 | Untitled #48 | Untitled #47 | ||
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| Untitled #46 | Untitled #45 | Untitled #44 | ||
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| Untitled #43 | Untitled #42 | Untitled #41 | ||
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| Untitled #40 | Untitled #39 | |||
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| Untitled #38 | Untitled #37 | Untitled #35 | ||
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| Untitled #34 | Untitled #32 | Untitled #31 | ||
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| Untitled #30 | Untitled #29 | Untitled #28 | ||
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| Untitled #27 | Untitled #26 | Untitled #25 | ||
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| Untitled #24 | Untitled #23 | Untitled #21 | ||
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| Untitled #20 | Untitled #19 | Untitled #18 | ||
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| Untitled #17 | Untitled #16 | Untitled #15 | ||
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| Untitled #14 | Untitled #13 | Untitled #12 | ||
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| Untitled #11 | Untitled #11b | Untitled #10 | ||
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| Untitled #9 | Untitled #8 | Untitled #7 | ||
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| Untitled #6 | Untitled #5 | |||
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| Demonstrations are Grounded in the Structures... | Untitled #2 | Untitled #3 | ||
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| Untitled #4 | Untitled #5 | Untitled #6 | ||
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| Untitled (Reclusion #1) | Untitled NM1 | Statements Can Be Construed in Principle... | ||
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| Reclusion #2 (Statements can Be Construed...) | ||||
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| Untitled | Untitled | Untitled | ||
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| Temenos #10 | Temenos #9 | Temenos #8 | ||
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| Temenos #7 | Temenos #6 | Temenos #5 | ||
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| The Validity of Demonstrations is Grounded... | Temenos #2 | Temenos #1 | ||
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| The Next Sentence is True. The Previous... | ||||
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| Untitled | Untitled | Untitled | ||
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| Once You've Got the Meaning, You Can... | We Do Not know What We Are Talking... |
We Do Not Know What We Are Talking... | ||
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| Untitled | The Law of the Denial of the Antecedent |
But Name is Only the Guest of Reality | ||
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| Living in Seclusion, in Harmony with the Rustics | Pretty Landscape #7 |
An Incompleteness Theorem | ||
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| Untitled | Untitled |
Knowledge Wandered North | ||
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| Untitled | Pretty Landscape #10 |
Untitled | ||
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| We Do Not Know What We are Talking... | The Law of the Excluded Middle |
Noncollectivized Production | ||
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| Archaeology | Free and Easy Wandering |
Knowledge Wandered North | ||
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| Untitled | On Certainty | Untitled | ||
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| Untitled | Pictograph |
The Cloud | ||
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| Surface Phenomenae | Fields or Patttern Recognition |
We Do Not Know What We Are... | ||
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| Generic Landscape | ||||
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| The Horns of Apollo | The Horns of Apollo |
And It May Well Be | ||
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| Concetti Spaziali | Idyll #7 |
Surface Anomaly | ||
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| "___" | And It May Well Be |
Words, Too, Had to Change Their Usual Meaning | ||
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| Surface Phenomena | But Name is Only the Guest of Reality |
Surface Phenomena | ||
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| But Name is Only the Guest of Reality | Col Tempo | |||
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| Surface Phenomena | Shapes of Things |
Pattern Analysis | ||
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| A Shape | Where Can I Find a Man Who Has Forgotten... |
Linear Field | ||
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| Weltanschauung | Over Water |
Object Continuity | ||
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| But I Don't Know Whether What I Have Said... | Momentum (Shih) |
Weltanschauung | ||
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| Ten Thousand Riplets | Autumn Floods |
The Artist's Studio | ||
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| Free and Easy Wanderings | Present Continuous |
Discussion on Making All Things Equal | ||
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| Quintilian | Seal or Snail |
Rough Cut | ||
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| The Crimean War | Mapping or Pappus of Alexandria |
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| Euclid (Gödel) | Anonymus |
Scorgiano after Euclid | ||
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| Village Over Landscape (Blue) | Landscape (Beige) | Landscape (Blue) | ||
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| Blue and White | Village (Blue) |
Scorgiano (A Parallel Postulate) | ||
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| Landscape |  |
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| Val d'Orcia/Vulci | Val d'Orcia/Monti Volsini |
Monte Canino | ||
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| Landscape (Blue) | Three Landscapes with Blue |
Landscape over DoubleLlandscape | ||
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| Landscape (Plastic (Corner)) | Two Landscapes (Grey) |
Landscape (Plastic) | ||
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| Double Landscape | Landscape (Paper) |
Landscape Over Sky | ||
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| Untitled (Ma Yuan) | Landscape with 2 Triangles |
Landscape | ||
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| Untitled | Untitled (Howard Hodgkin dreaming of Turner) |
Landscape with Cloud | ||
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| Landscape (Orange) | Landscape (Pink) | Vulci/La Pace | ||
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| Val d'Orcia (in the "Blue and Green" style) | La Pace (Yujian after Sol LeWitt) | Tarquinia | ||
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| Monti della Tolfa/Cala di Volpe | Landscape (Cut, Side) | Landscape (Two) | ||
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| Staffoli | Vulci | La Pace/La Crete | ||
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| La Pace/Val d'Orcia | La Pace | Val d'Orcia | ||
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| La Pace | La Pace | La Pace | ||
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| Tarquinia | Monti Volsini | Monte Canino | ||
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| Tarquinia | La Pace | Val d'Orcia | ||
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| Le Ville di Carsano | La Pace | |||
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| Val d'Orcia #127 | Scorgiano #5 | Val d'Orcia #20 | ||
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| Val d'Orcia #27 | Val d'Orcia #10 | Val d'Orcia #8 | ||
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| Val d'Orcia #118 | Val d'Orcia #121 | Vulci #2 | ||
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#271 |
#270 |
#269 |
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#251 |
#258 | #276 | ||
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| #264 | #253 | #260 | ||
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| #230 | ||||
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| Scorgiano | View from San Galgano | |||
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